oil and egg tempera on masonite, 6x6"
In Renaissance days (and today), recreating old masterpieces was a common way of learning to paint. This is the final holdover from the Renaissance class I took a year ago, and it's the only one painted in the Italian Renaissance style. The Italian Renaissance style isn't much different than the Dutch Renaissance style, well, at least not in how they built layers of paint. The Dutch masters started with burnt sienna or a similar red-brown layer and built from there. The Italians started with a green layer. That's it.
I haven't decided if this is entirely finished or not. Then again, they say Leonardo kept dabbling at the original for a span of 20 years or more. So I suppose I've got some time to make up my mind.
Here she is after the second layer went down--you can see the first green underpainting, a glaze of cerulean blue over the background, a glaze of fleshtones in the face, and white egg tempera on all the light spots.